Film Reference Library and CIBC Canadian Film Gallery
4th Floor, TIFF Bell Lightbox
Patricia Rozema Collection
Patricia Rozema Collection
Patricia Rozema fonds [artifacts, graphic materials, printed matter, textual records, photographs, moving images, sound recordings]; circa 1978 - 1999.
43 artifacts : ephemera, 2 garments
57 graphic materials : 1 album of drawings, poster designs, title designs, storyboards, digital printouts, lobby cards, ephemera
478 files (5.5 m.) textual materials : textual materials and research files, film scripts
10 printed material : 2 bound volumes of newspapers, 4 publications, press clippings
962 photographic materials : approx. 400 black and white prints, approx. 530 colour prints, 155 Polaroid prints, 12 black and white contact sheets, 19 rolls/series colour slides and positives, 10 rolls/series colour negatives
3 technical / architectural drawings
186 motion picture film : 39 rolls/series 16 mm, 147 rolls/series of 35 mm, including mag rolls
79 audio recordings : reels, cassettes, disks
Archival records created by Patricia Rozema, as well as various individuals involved in her film productions, including producers Alex Raffé and Barbara Tranter, and other creative, production and technical personnel including accounting, wardrobe, art department, cinematographers, still photographers, composers, etc. Records created by, or in the operational context of, corporate entities: Patricia B. Incorporated, Vos Productions Inc., Vos Productions Ltd., Some Films Inc., and Crucial Pictures, as well as Barbara Tranter’s company Dominion Pictures, and Miramax.
The fonds includes very limited, selective retention of early material consisting of journalism and news research, personal papers, Calvin College student newspapers (to which Patricia Rozema contributed). Other early records are related to her work in other capacities including assistant director, executive producer, talent. There are comprehensive textual records (including script, development, production and post-production records) and moving image materials related to her short films and feature films, as follows: Passion: A Letter in 16 mm (1985), I’ve Heard the Mermaids Singing (1987), White Room (1990), Montréal vu par..., Desperanto (1991), When Night is Falling (1995). There is fragmentary material related to The Hunger: At My Back (1996), Six Gestures from Yo-Yo Ma Inspired by Bach (1997), and Mansfield Park (1999). In addition, there are records pertaining to unrealized and ongoing development projects including Cat’s Eye, The Case of the Missing Mother and The Elizabeth Smart Project.